Gordo, do you have any comments on how the screen angle of a spot color incorporated into a 4/c image affects the color of the piece on press? - assuming am screening -Dan
If the "missing" color screen angle is used (e.g. the cyan angle for a spot orange) then I don't believe the screen angle will effect the color.
However, if the spot overprints a color (e.g. spot orange over Magenta or Yellow) then you'll likely see problems on press. Dot on dot printing will reduce the potential gamut, you'll likely see color shifts with slight misregistration, and you might also see lines form in flat tone areas as dots chain up with slight misregistration.
I say "might" because seeing artifacts in the presswork will depends on the image content and size of the image area. For example, if the 4/C image to be overprinted has lots of image detail - then you may not see a problem. If the image contains large flat screen tint areas then you likely will have an issue.
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Formerly Print Quality Marketing Manager for eleven years at Creo/Kodak. Presented at print technical conferences, trained printers and buyers regarding print quality issues in Europe, N. America, and S.E. Asia. Articles published in trade journals, co-authored TAGA paper on halftone screening, authored BRIDG's guide to halftone screening. Previously Technical Director of Western Canada's largest commercial sheetfed shop. For several years Professor of Digital Graphic Design at Emily Carr University. Former Creative Director at McCann Ericksson Vancouver.
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Gordo, I can appreciate this article...the RIPs we use calculate the correct angle to place additional spot colors on, so it's a breeze!
ReplyDeleteThanks
Gordo, do you have any comments on how the screen angle of a spot color incorporated into a 4/c image affects the color of the piece on press? - assuming am screening
ReplyDelete-Dan
If the "missing" color screen angle is used (e.g. the cyan angle for a spot orange) then I don't believe the screen angle will effect the color.
ReplyDeleteHowever, if the spot overprints a color (e.g. spot orange over Magenta or Yellow) then you'll likely see problems on press. Dot on dot printing will reduce the potential gamut, you'll likely see color shifts with slight misregistration, and you might also see lines form in flat tone areas as dots chain up with slight misregistration.
I say "might" because seeing artifacts in the presswork will depends on the image content and size of the image area. For example, if the 4/C image to be overprinted has lots of image detail - then you may not see a problem. If the image contains large flat screen tint areas then you likely will have an issue.
Hope that helps.
- gordo